The Guardainfante Exposes More than Legs: Adapting Tirso’s Marta the Divine for the Stage (2022)

Step into the mesmerizing world of Marta the Divine as we explore how the seemingly outdated guardainfante, or farthingale, takes on new meaning in Harley Erdman's 2010 adaptation. Unravel the complex tale of two sisters, Marta and Lucía, who both fall for the same man, Felipe, who tragically killed their brother. As Marta and Felipe's forbidden love deepens, they must navigate through deception and disguise, all while staying hidden from Lucía's watchful eye. Director Gina Kaufmann brings a fresh take on this early modern play by making bold choices, including gender-bending casting, stripped-down costumes, and minimalistic set design. However, the wide hoopskirts take center stage, shedding light on the play's themes of hypocrisy, faith, and desire. Join us as we dive into the captivating world of Marta the Divine and discover how this historical garment surpasses its past and speaks to modern-day audiences.

“The Guardainfante Exposes More than Legs: Adapting Tirso’s Marta the Divine for the Stage,” in Staging and Stage Décor in Early Modern Theater, edited by Bárbara Mujica. Vernon Press, 2022, pp. 109-123.

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A New Perspective on Old Ideas in González de Salas’s Nueva idea de la tragedia antigua

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Women’s Somatic Training in Early Modern Spanish Theater (Routledge Press, 2017)